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QuadraSynth Reference Manual 59
Wave Pure Sine, 10% Pulse, 15% Pulse, 20% Pulse, 25% Pulse, 33% Pulse, 50% Pulse,
Velo Pulse, Mini Saw, Saw Fltr 1, Saw Fltr 2, Saw Fltr 3, Saw Fltr 4, Saw Fltr 5,
Saw Fltr 6, Saw Fltr 7, Velo Saw, MiniS
q
uare, S
q
r Fltr 1, S
q
r Fltr 2, S
q
r Fltr 3,
S
q
r Fltr 4, S
q
r Fltr 5, S
q
r Fltr 6, Velo S
q
r, Mini Peak, Mini Tri, Tri Fltr 1, Tri Fltr
2, Tri Fltr 3, Tri 4, Velo Tri, Rectan
g
lar, Rct Fltr 1, Rct Fltr 2, Rct Fltr 3, Rct Fltr 4,
Rct Fltr 5, Rct Fltr 6, Rct Fltr 7, Velo Rect, Mini Thin, Thn Fltr 1, Thn Fltr 2, Thn
Fltr 3, Velo Thin, HardS
y
nc 1, HardS
y
nc 2, HardS
y
nc 3, HardS
y
nc 4, HardS
y
nc
5, HardS
y
nc 6, HardS
y
nc 7, Velo HS
y
nc, Additive 1, Additive 2, Additive 3,
Additive 4, Additive 5, Di
g
ital 1, Di
g
ital 2, Di
g
ital 3, Di
g
ital 4, Di
g
ital 5, Di
g
ital
6, Di
g
ital 7, Di
g
ital 8, Di
g
ital 9, Science 1, Science 2, Science 3, Science 4, Science
5, Science 6, Noise
Bass Brite Bass, StudioBass, Sla
p
Bass, Velo Bass, Sla
p
w/
p
o
p
, Bass Po
p
s, Fretless,
Stik, Acoustic, Fat S
y
nth, S
y
nAcoustc, FM Bass, FilterBass, Bass Wave1, Bass
Wave2, Bass Wave3
Guitar N
y
lon, N
y
lon Vel, N
y
lon Harm, Acoustic, AcoustcVel, AcoustHarm, 12Str
Elec, 6 Str Elec, 6 Str Velo, 6 Str Harm, Power Gtr
Brass Ensemble, "Pows", Trum
p
et, Mute Trm
p
t, Trm
py
S
p
lit, Trombone, Mute
FHorn, Soft FHorn, Velo FHorn, Tuba Hard, Tuba Soft, Tuba Velo, Tuba Blats
Wdwind Bassoon, Oboe, Clarinet, Flute Vibr, Flute, Bari Sax, Tenor Hard, Tenor Brth,
Tenor Velo, Alto Sax, So
p
rano, Bari Combo, Sax Combo
Strin
g
SoloViolin, Solo Viola, Solo Cello, Violin Ptz, Cello Ptz, Bass Ptz, Har
p
, Elect
Har
p
Ensmbl Strin
g
s, AttkStrin
g
, S
y
nthStrn
g
, Ta
p
eStrin
g
Ethnic Harmonia, FM Harmnca, EuroAccrdn, Elec Ban
j
o, Asian Drum, Water
p
hone
Voice Choir Aahs, Choir Oohs, Voice EFX1, Voice EFX2, Voice EFX3
SndFX Za
p
Attk 1, Za
p
Attk 2, Za
p
Attk 3, Mini Attk, Po
p
, Po
p
Attk, Bottle Hit, Metal
Attk1, Metal Attk2, SambaWhstl
Drums Stndrd Kit, Rock Kit 1, Rock Kit 2, Dance Kit, Stab Kick, Dee
p
Kick, S
p
ike Kick,
Fla
p
Kick, Gara
g
eKick, PillowKick, Elect Kick, Studio Snr, TurboSnare,
PiccoloSnr, Cris
p
Snr, Power Snr, Dance Snr, Rimshot, Side Stick, Power Tom,
Mid Tom, Floor Tom, Slam Tom, Cannon Tom, Closed Hat, Ed
g
e Hat, O
p
en
Hat, FootClosed, C
y
m Ride, C
y
m Bell, C
y
m Crash, C
y
m China, C
y
m S
p
lash
Percus T
y
m
p
ani, TbularBell, Orch Combo, A
g
o
g
o, Bon
g
o, Cabasa, Castanet, Clave,
Con
g
a Hit, Con
g
a Sla
p
, Cowbell, Fin
g
erSna
p
, Guiro Lon
g
, GuiroShort, Hand
Cla
p
, Lo
g
Drum, Maracas, Shaker, ShortWhstl, Tambourine, Timbale, Trian
g
le,
Trian
g
leMt, Vibrasmack, Wood Block
Level
Each sound in a program can have its own level, pan position, and output
assignment. With up to four sounds per program, this allows for a wide variety of
stereo effects and level balances between the sounds.
Volume (00 to 99)
This sets the overall for a sound. Higher numbers give higher levels.
Pan (-3 to +3)
There are 7 available locations in the stereo (two-channel) field: Far left (-3), mid left,
near left, center (0), near right, mid right, and far right (+3). The pan value is
maintained, even if the Output value is changed (see below).
Output (Main, Aux, or Off)
The Output parameter has three settings: Main, Aux, or Off. To send the soundÕs
output to the Main outputs, select Main. To send the soundÕs output to the Aux
outputs, select Aux. To turn off the soundÕs output, set this parameter to Off.
(Note, however, that the sound may still feed an Effect Send).
To send a sound to an individual output, use Output in conjunction with Pan.
Example: Panning a sound full left and selecting the Aux outputs means that the
sound will appear at only the left Aux output.