Mackie 2404 Musical Toy Instrument User Manual


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19
Owner’s Manual
31. High EQ
ThehighEQprovidesupto
15dBofboostorcutabove
12kHz,anditisalsoat(no
boostorcut)atthedetent.
Useittoaddsizzletocymbals,
an overall sense of
transparency,oranedgeto
keyboards,vocals,guitarandbaconfrying.Turnitdown
alittletoreducesibilanceortomasktapehiss.
32. Mid EQ And 33. Freq (Mono Channels Only)
Themonochannelsemploy
asemi-parametricmid-sweep
EQ.Thegain(upto15dBof
boostorcut)issetviathemid
eq[32],andthen“aimed”ata
specicfrequency,from
100Hzto8kHz,viafreq[33].
34. Low EQ
ThelowEQprovidesupto
15dBofboostorcutbelow
80Hz.Thecircuitisatat
thecenterdetentposition.
Thisfrequencyrepresentsthe
punchinbassdrums,bass
guitar,fatsynthpatches,and
somereallyseriousmalesingerswhoeatrawbeeffor
breakfast.
35. High Mid EQ Level (Stereo Channels Only)
ThehighmidEQprovides
upto15dBofboostorcut
at2.5kHz,anditisatat
thedetent.MidrangeEQis
oftenthoughtofasthemost
dynamicbecausethe
frequenciesthatdeneany
particularsoundarealmostalwaysfoundwithinthis
range.Forexample,thefemalevocalrangeaswell
asthefundamentalsandharmonicsofmany
higher-timbredinstruments.
36. Low Mid EQ Level (Stereo Channels Only)
ThelowmidEQprovidesup
to15dBofboostorcutat
400Hz,andisatatthe
detent.Frequenciesaffected
typicallyincludethemale
vocal range as well as the
fundamentalsandharmonics
ofmanylower-timbredinstruments.
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20Hz 100Hz 1kHz 10kHz 20kHz
–15
–10
–5
0
+5
+10
+15
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
PAN
L R
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
MID
200 2k
800
100 8k
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
1
MUTE
PAN
L R
2
MUTE
PAN
L R
3
MUTE
PAN
L R
4
MUTE
PAN
L R
5
MUTE
PAN
L R
6
MUTE
PAN
L R
7
MUTE
PAN
L R
8
MUTE
PAN
L R
9
MUTE
PAN
L R
10
MUTE
PAN
L R
11
MUTE
PAN
L R
12
MUTE
PAN
L R
13
MUTE
PAN
L R
14
MUTE
PAN
L R
15
MUTE
PAN
L R
16
MUTE
PAD
-20dB
1
LOW CUT
100 Hz
GAIN
PAD
-20dB
2
LOW CUT
100 Hz
GAIN
PAD
-20dB
3
LOW CUT
100 Hz
GAIN
PAD
-20dB
4
LOW CUT
100 Hz
GAIN
PAD
-20dB
5
LOW CUT
100 Hz
GAIN
PAD
-20dB
6
LOW CUT
100 Hz
GAIN
PAD
-20dB
7
LOW CUT
100 Hz
GAIN
PAD
-20dB
8
LOW CUT
100 Hz
GAIN
PAD
-20dB
9
LOW CUT
100 Hz
GAIN
PAD
-20dB
10
LOW CUT
100 Hz
GAIN
PAD
-20dB
11
LOW CUT
100 Hz
GAIN
PAD
-20dB
12
LOW CUT
100 Hz
GAIN
PAD
-20dB
13
LOW CUT
100 Hz
GAIN
PAD
-20dB
14
LOW CUT
100 Hz
GAIN
PAD
-20dB
15
LOW CUT
100 Hz
GAIN
PAD
-20dB
16
LOW CUT
100 Hz
GAIN
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
1 2
SUBGROUPS
PUSH
TO TALK
MAIN
RIGHT
AUX 1-4
SOLO
STEREO
LEFT
RIGHT
SOLO
LEFT
RIGHT
SOLO
STEREO
LEFT
RIGHT
SOLO
LEFT
1 2 3 4
MAIN MIX
TALKBACK
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
LEVEL
PHONES
TO AUX 1
TO AUX 2
SOLO
MONITOR
TAP
DELAY
MUTE
TO AUX 1
TO AUX 2
TAP
DELAY
MUTE
FX MASTERFX MASTER
TO LRTO LR
FX
2
SIG/OL
FX
1
SIG/OL
SOLO
SOLO
1
2
3
4
SOLO
SOLO MODE
SOLO
SOLO
SOLO
SOLO
SOLO
PFL
AFL
AUX
AUX
AUX
AUX
CH 1-2 CH 3-4
AUX 5-6
PWR
RUDE SOLO
48V
USB OUT
SUBS 3-4
20
10
7
4
2
0
2
4
7
10
20
30
LEVEL
SET
SUBS 1-2
MAIN
TO LR
TAPE
USB
2-TRACK RETURN
SUCK
SOLO
12V
0.5A
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
FX 1 FX 2
USB
21
22
23
24
HI
12k
HI
MID
2.5k
LOW
MID
400Hz
HI
MID
2.5k
-15 +15
U
-15 +15
U
-15 +15
U
-15 +15
U
LOW
80Hz
LOW
MID
400Hz
LOW
80Hz
-15 +15
U
HI
12k
2
3
4
5
6
1
+15
U
+15
U
+20
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
-15 +15
U
-15 +15
U
-15 +15
U
-20 +20
U
-20 +20
U
AUX MASTER
LR
STEREO RETURNS
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
FREQ
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
FREQ
MID
200 2k
800
100 8k
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
FREQ
MID
200 2k
800
100 8k
EQ EQ
EQ
HI
12k
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
U
FREQ
MID
200 2k
800
100 8k
PAN
L R
17
MUTE
PAN
L R
18
MUTE
PAN
L R
19
MUTE
PAN
L R
20
MUTE
BAL
L R
21/22
MUTE
ALT 3-4
BAL
L R
0 dB=0 dBu
LEFT
RIGHT
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
1-
2
3-4
LR
OL
-20
30
20
10
10
40
50
5
5
U
60
dB
OO
SOLO
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
FX
AUX 5/6
PRE
PRE
FX1
FX2
PRE
1
2
+15
U
AUX
+15
U
3
4
5
6
+15
U
+15
U
+15
U
+15
U
23/24
MUTE
ALT 3-4
30
20
10
10
40
50
5
5
U
60
dB
OO
30
20
10
10
40
50
5
5
U
60
dB
OO
30
20
10
10
40
50
5
5
U
60
dB
OO
30
20
10
10
40
50
5
5
U
60
dB
OO
30
20
10
10
40
50
5
5
U
60
dB
OO
30
20
10
10
40
50
5
5
U
60
dB
OO
17
GAIN
18
GAIN
19
GAIN
20
GAIN LINE GAIN LINE GAIN
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
30
-20dB +40dB
U
60U
4020
50%
100%0%
25% 75%
Stereo channel
27
28
29
31
35
36
34
37
43
30
38
41
42
39
40
37. Pan
Thiscontrolallowsyoutoadjust
howmuchofthechannelsignal
issenttotheleftversustheright
outputs.
Withtheknobpannedhardleft,
the signal feeds the main left,
group1,orgroup3busses,
dependingonthesettingofthe
assign switches [42]. With the knob
pannedhardright,thesignalfeeds
themainright,group2,orgroup4
busses,againdependentonthe
setting of the assign switches [42].
Thebalancecontrolemploysa
designcalled“ConstantLoudness.”
Ifyouhaveachannelpannedhard
left(orright)andthenpantothe
center,thesignalisattenuated
about3dBtomaintainthesame
apparentloudness.Otherwise,it
wouldmakethesoundappearmuch
louderwhenpannedcenter.This
controlisproperlycalled“BAL”for
balance in the stereo channels.
38. Mute
Muteswitchesdojustwhatthey
soundliketheydo.Theyturnoffthe
signalby“routing”itintooblivion.
Engagingachannel'smuteswitch
(almost)providesthesameresults
asturningthefaderalltheway
down(apre-auxsendisnotaffected
bythechannelfader,butitisby
themuteswitch).Anychannel
assignmentstomainmix,group1-2,
orgroup3-4willbeinterruptedand
alloftheauxsendswillbesilenced
(bothpre-andpost-fader).The
channelinsert[3]willcontinueto
provideasignalwhenachannel
ismuted.TheOLLED[39]will
illuminatewhenachannel'smute
switch is engaged.
39. OL LED
ThisLEDindicatesthechannel’s
signallevelafterthegainandEQ
controls,butjustbeforethe
channel’slevel.Soevenifthelevel
isturneddown,youcanseeifthe
channel is being overloaded.
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